Saturday, July 25, 2015

#ProudToLove





Grab a very BIG box of tissues to watch this utterly joyous wee video compilation of so many wonderful 'coming out' stories and also seeing so many happy same-sex couples finally getting the right to say 'I Do'. #ProudToLove is the prefect way to celebrate Marriage Equality and LGBT Pride Month, but just try to watch it without getting completely misty eyed, we dare you.

Friday, July 24, 2015

Thursday, July 23, 2015

OUTFEST ONLINE : WATCH MOVIES FOR FREE


OUTFEST L.A.'s leading LGBT Film Festival may be over for another year but they have teamed up with DirecTV to stream more than 60 selections online, that includes feature films, docs and shorts from past and present Festivals TOTALLY FREE.

It not only gives you an opportunity to see the creme de la creme of movies that the Festival programed, but equally important it gives these independent filmmakers access to a much wider audience that their innovative work so deserves.

Movies on Outfest Online include 'Tomorrow', 'The Heroes of Evil', 'Tomgirl', 'Gideon’s Cross','The First Date', 'Gay Over', 'BrocKINGton', 'Cafe au Lait', 'The Friend from Tel Aviv', 'No Boundaries', 'More of Last Night', 'A Bitter Pill',  'Eargasm' and one of our favorites the delightfully funny 'DAY DRUNK GAYS – BEARDIST'.


New content will be added regularly throughout the year and Outfest Online, is available for streaming on computers, mobile and tablets with apps for both Android and iPad through the end of 2015.



What are you waiting for?  Starting watching now.




Wednesday, July 22, 2015

FIRST LOOK AT 'FREEHELD' : ONE OF FALL'S MUST-SEE LGBT MOVIES



Lionsgate Films have just released the first trailer for an exciting new movie scheduled to be released this Fall. 'FREEHELD' is based on the true story of a lesbian couple, Laurel Hester  and Stacie Andree, who fought for domestic partner rights for same-sex couples a decade ago, helping to pave the way to day.

After Laurel Hester, a police officer in Ocean County, New Jersey who was diagnosed with terminal lung cancer in 2005, she repeatedly appealed to the County Board   to ensure her pension benefits could be passed on to Stacie.  The movie stars last year's Oscar Winner Julianne Moore and Oscar Nominated (and out proud lesbian) Ellen Page , with Oscar Nominated Steve Carrell playing a LGTB activist to rallies to their cause.

Adapted from Cynthia Wade's 2007 Oscar Winning Short Documentary, the movie is being directed by Peter Sollett ('Raising Victor Vargas' and 'Nick & Norah's Infinite Playlist') from a script written by Roy Nyswaner (Oscar nominated writer for 'Philadelphia' ). The buzz is that this will be one of the best LGBT movies of the year and could see not only Julianne Moore back at the podium at the Academy Awards, but also Ellen Page too.



Click for Trailer (courtesy of Buzzfeed)

ELIO FIORUCCI an iconic fashion giant : June 10, 1935 - July 20, 2015



Elio Fiorucci, one of the most iconic fashion designers and innovative retailers of the Swinging 1960’s, died on Monday in Milan.  Fiorucci had a passionate obsession with everything trendy and British in the disco era and when  he opened his very first store in Milan, it served as his vision of an outpost of the best of London. It carried the fashions of leading designers such as Barbara Hulanicki’s BIBA and Ossie Clark but he also packed the store with outrageous ephemera and novelty items such as gold-lurex cowboy boots, rag rugs and teapots with the Union jack emblazoned on them. He also added American classics T-shirts and jeans.

When he expanded his retail chain globally in the 1970’s with flagships in London and New York he reversed his merchandising concept and as well as supporting the up and coming edgy designers of the day such Betsy Johnson and Anna Sui, he filled the stores with never-seen-before ethnic clothing such as Afghan shaggy coats and Brazilian thongs.  Fiorucci may not have started the use of leopard prints for everything but they, and camouflage, became totally synonymous with his look at that time. 


An energetic entrepreneur with a dramatic flair for attracting the most fashionable crowd of the moment, he was the first retailer to ever install a DJ playing music and he turned his Store on NY ‘s East 59th Street into something approaching a daytime version of the infamous Studio 54 Club.  He is also credited with being the first one to introduce skinny jeans to the world.

Fiorucci sold his retail empire to the Japanese brand Edwin in 1990, which he very soon came to regret.  His attempt to reestablish a business in NY a decade later failed, but then in 2004 he established ‘Love Therapy' a new line of women’s and children’s clothing for Gruppo Coin a mass-market Italian retailer.

queerguru spoke to Barbara Hulaniki this afternoon who said 'Fiorucci put Italy on the HIP Fashion map …he was an amazing fashion showman with endless ideas in his shop in the Galleria Passarella in Milan. He was the very  first designer  to put jeans on the fashion map…today there are vast departments all over the world of fashion jeans ……………he distributed Biba cosmetics for us in Europe …………after we lost Biba I worked in his amazing design officesand learnt so much from him and his enthusiasm for new ideas…I miss him so much!'


Fiorucci’s legacy will be for the crucial part he played with his keen eye and energy for being such a totally fearless merchandiser when fashion retailing was so adventurous, and experimental. He was one of the pioneers who thought that fashion was an integral part of lifestyle, but even more, that it should be both fun and completely accessible, as indicated by the twin-winged cherubs that became his brand logo.  The strange thing is that this larger than life designer that made fashion so colorful and almost eccentric was himself a very subdued and understated dresser. 

Elio Fiorucci : an iconic fashion giant : June 10, 1935 - July 20, 2015 

Tuesday, July 21, 2015

Why Eric Shaeffer's 'Boy Meets Girl' is one of the best Transgender movies.


Once in a while we come across a new small movie that is unafraid to tackle important issues with a very big heart, and " Boy Meets Girl" is certainly one such film.  It is a tender, human, sex-positive romantic comedy that explores what it means to be “real”: to live and love authentically to the truth of one’s heart, regardless of the sex or small town you’re born into. We were so moved by the refreshing and sensitive way that writer/director Eric Shaeffer told this story that stars a transgendered girl but is so much more about all the other people in her life who learn to embrace their own identities.  It also challenges us to suspend our preconceived views on gender labels and be as open to what happens as these lovelorn kids are.




We were not the only leading LGBT news site to give this movie a 5 Star review, and queerguru.com was thrilled to sit down with Eric Shaeffer to find about more about his new remarkable new film.

QG: Where did the story come from?

ES: It’s dramatically very similar to all my other eight movies.  Everyone I know has a very colorful myriad of sexual and emotional feelings and interests that really don’t fit into the narrow boxes that society puts us in, and what I like to write about is breaking out of the confines of these boxes. This time I wanted to create a landscape that possibly people could begin to look into this world of the themes that I have just described in a new way.  I came up with this idea of writing about a transgender girl in a small town in the South and challenging the boy meets girl cliché, and so this is in fact a broad simplistic kind of romance but with a twist that middle America and the rest of the world can relate too.

I am a straight man and I date women and I have dated transgender women as well in the past. Getting to intimately know some transgender women and also meeting transgendered men gave me the idea of wanting to write about them. The idea that a cisgendered straight man who had always dated cisgender women started to be interested in dating transgendered women at a certain point of his life was very interesting to me. Opening up his heart and his eyes to dating these women I thought was a fascinating story especially as it had some real life correlation with me.  However quite honestly, the real driving force was much more abut making a story about people who at the core want to be loved for who they are, as that essentially is what all my films are about.

Without giving too much way, what surprises so many people who have seen the movie is that Ricky the transgender girl had the smallest arc and the smallest transition emotionally of any of the characters. Everyone around her was having much more dramatic profound emotional realizations and that was very exactly what I planned. I wanted the character of Ricky the transgender girl to be ‘normal’ as possible in terms of her life goals, her challenges, her joys, her family and her friends. In a lot of movies, transgender characters are too often being portrayed as people who have all kind of challenges that are different from cisgender people and that is not really the case in a lot of my own experience and from the research that I did.  Most of my trans friends have very wonderful lives that are replete with all the same challenges and joys of cisgender people.  

The other young leads Robbie, Francesca and David are characters who slowly realize that they are being challenged about having the courage to lead lives that they want to live, and with convictions that they feel are right regardless of what society tells them they should feel and how they should live.  This is really what this movie is all about. 

QC: How did you find the wonderful Michelle Hendley, and how important was it to you that you cast a transgender actress in this part?

ES: Besides Laverne Cox, there is a very very small list of transgender actors and actresses who are successful enough to be represented by Agents, and so they are hard to find. I Googled both ‘transgendered women’ and ‘transgendered actress’, and by a stroke of luck I found Michelle's Youtube channel.  On all her Vlogs she was talking about her life and her boyfriends and the fashions she liked and she clearly had a performance bone in her body because she was not afraid to be on the net and do these very impressive videos.  She looked the part and is young and very pretty and had the right personality. When I got in touch with her she was understandably dubious because she didn't know my work so she wasn't sure if my offer of an audition was legit or not. I also had my concerns as she had never acted before and it is a far cry from having charisma to make a Vlog to being in a feature film.  Not only that, she was going to be the star in my movie, which was going to live or die on the performance of her alone. So I rehearsed and auditioned her over Skype and then flew her to NY and had her workshop with other actors.  It was a six month process before I gave her the part and over that time she worked harder and harder and got better and better.

I had a lot of latitude because this was an indie movie with a small budget so I could cast anyone I wanted in that part.  Had it been a bigger film with a lot more money behind it I would have been answerable to both investors and a Studio and I would probably have been under a great deal of pressure to cast a famous cisgender actress in that role. While every actor can portray all sort of characters who they aren’t in real life, no one can argue with the fact that a transgender woman would have the absolute organic profound experience of being transgender.  I also thought it important element of this whole project that I give this unique opportunity to a transgender girl.

QG: Was the YouTube plot line in the movie then taken from the Vlogs in her own life?

ES: No, not at all.  I thought it would be unrealistic to have a movie where everything was just so completely fantastic in her life, so I wanted to ground her and show her exposing her more troubled and challenging part of her youth with her making these online videos. I got the idea when I was actually looking around on the Internet trying to find an actress to play the part. I don't know how I ended up on this video of this young 13 year-old edgy Goth tough-looking girl who was doing this cue card video about being bullied. At the end of this video she broke into a smile, which was so disarming and completely charming as it made her look so childlike and sweet and adorable. It literally broke my heart when I later found out that this particular girl’s life ended tragically as she either killed herself or was killed. Although Ricky’s story has a much happier and positive outcome with such a supportive community, I still wanted people to understand that she didn't always have a perfect life. So the cue card video sequence is to show that she had struggled with things that we all struggle with in her youth.

I always wanted it to be very realistic and in fact it is on the edge of being a fable, but it was also a very crucial element to me to ensure that there is a lot of positivity in the story.

QG: You very surprisingly gave her a completely supportive father and a loving kid brother.  Why was that important to you?

ES: Again in the world of wanting to paint this transgender character as being realistic, and I thought it important that she have a supportive family life. Like most people I had suffered from the delusion that is born out of what the media tells us which portrays transgender women as being victims of system that denies them the same experiences as cisgender women and not having loving support in their world.  In my research I found that was simply not accurate and many of the transgender women I spoke with came from small communities in the South and were not bullied and had fully supportive families.

QG: I read recently that someone wrote about your movies/TV shows: “They all tend to center around love, or lovin’ and losin;.  Usually involving sexual taboos at some point’ which are a huge fascination of his.’ How true is that, and where does Boy Meets Girl fit into that spectrum as a cursory glance at your resume, this seems quiet a leap.

ES: I don't think that this is a large leap at all. If one looks at my body of work you would see tremendous similarities with the themes that are running through this film with those in all my other films. However I don’t mind people thinking it is a change because there are three big departures from my norm. Firstly I chose not to star in this film like I usually do, and secondly I abandoned my usual setting of New York and placed the action in the Deep South, and thirdly I was writing for the first time about people in their early 20's. However quite honestly to me it dramatically talks about things that I have always talked about.

QG: You swept the board at the San Diego Film Festival winning 11 Awards, and amongst the many others you have been awarded is the prestigious Iris Prize in Cardiff.  Do you think that will help you get the movie beyond Gay Film Festival audiences?

ES: We opened in New York movie theaters and did extremely well and Wolfe Video who have the World Rights then rolled it out theatrically right across the US before releasing it on VOD/DVD later on. 

QG: Has it been marketed as a romantic comedy or specifically as an LGBT film?

ES: Marketing people hate it when I insist that it is simply a movie for people who like good movies. I love the fact that my audiences cut right across a radical age range and sexual orientation and gender race. All my films, especially this one, are heart films, and hearts speak to hearts, and everyone has one. We marketed the film not as straight or LGBT but as a smart edgy sexy romantic comedy.

QG: You have a reputation for putting a great deal of your own story in your movies, is that a fair observation?

ES: People often say that, and I will admit that some of my stuff is autobiographical but quite a lot is not.  ‘Wirey Spindell’ which I wrote, directed and starred in, is totally from my life, and he is a character who I am very closely connected too. However unlike him, I never made a death pact to kill myself at 30. (laugh) 

The characters that I play in my own movies are very similar to me so in that respect that have the same personality traits, albeit thinly veiled.  ‘After Fall Winter’ a movie I set in Paris has a BDSM backdrop and the leading character that I play is interested in a lot of physical and emotional abuse.  So much so that some of my friends who know I write about my life expressed their concerned and said ‘Eric should we be worried about you?’ I told them not to panic, I do have an imagination too. (laugh)

QG: Lets talk a little about Eric Schaeffer. You have one of the longest and funniest titles for a blog ever which you  parlayed into a book and then a TV reality series 'I Can't Believe I'm Still Single'. How do you like living your life out loud and so publicly?

Whilst I would agree that it would appear that I lead my life very publicly in terms of some of my work, what may come as a total surprise is that I am also fiercely private too.  In my book I am certainly very open about aspects of my life and in my series you can see me in some very compromising situations. Having said that I am a performer and I am a director and I do understand that there is a bit of me in every character that I play. I did that TV series 7/8 years ago and I really enjoyed it as it was fun to do, but that chapter of my life is definitely closed.  And I think going forward creatively that less personal projects  will maybe more interesting to me now.

Our world is very fractured and there is still a tremendous amount of bigotry and suffering borne out of the delusion of separateness and I really want my work to unite people. I think that I'm just a regular old dude but the big difference between me and other old dudes is that I accept who I am and I talk about it.  

QG: What gives you the most satisfaction?

ES: I really enjoy creating TV shows and movies and being part of a community of people experiencing a TV show or movie that I have made. I was at a screening of ‘Boy Meets Girl’ in New York the other week and I saw two men who had their heads on each others shoulders as they watched the movie. When it ended they looked at each other and had a really sweet love heart kiss, and that brought tears to my eyes.  Seeing the bond these two lovers had that in some way my film had helped them create, was just priceless to me.  That’s why I do what I do.

QG: What’s next for you Eric?

ES: I’m spending the next 6 months making sure that 'Boy Meets Girl' gets in front as many people as possible it can.  Unlike bigger budget films where the filmmaker’s job is done once the movie is in the can, the life of an independent filmmaker like me is completely different. It’s just like having a child but whereas well-funded filmmakers have nannies to raise them, as an independent director you are more like a single parent dad. Once I have given my child the best upbringing I can then I will start writing my next project that I have that already have ideas for. 


'Boy Meets Girl' is now streaming worldwide from http://www.wolfevideo.com

Eric’s book : 'I Can't Believe I'm Still Single – Sane, Slightly Neurotic (But in a Sane Way) Filmmaker into Good Yoga, Bad Reality TV, Too Much Chocolate, and a Little Kinky Sex Seeks Smart, Emotionally Evolved ... Oh Hell, At This Point Anyone Who'll Let Me Watch Football.’     Available http://www.amazon.com

(N.B. Cisgender is a person whose self-identity conforms with the gender that corresponds to their biological sex; not transgender.)


Monday, July 20, 2015

TOP TEN COWBOY MOVIES


Ever since Ang Lee’s earth-shatteringly beautiful ‘Brokeback Mountain’ we have had a thing about cowboys.  Just as in that movie when Jack Twist says to Ennis ‘I wish I knew how to quit you’, we cannot stop yearning for a rugged man in spurs on horseback.  Or in fact any type of Cowboys, including the ones who have never worn their boots on a ranch.  Here then are our Top Ten Movie Cowboys.

1) Brokeback Mountain : 2005.  If you really do not know why this should unreservedly be our Number One, then shame on you.  It’s time you gave your ‘gay’ card back. On the other hand, no matter how well you think you know this movie, it is always worth another view.  Grab a bottle of wine, a box of tissues, and ‘him indoors’ and just hunker down and let yourself go.




2) Midnight Cowboy : 1969. Every time we hear the haunting melody of the theme song it sends shivers down our backs.  This story of a naive prostitute (Jon Voight) and his sickly friend (Dustin Hoffman) who struggle to survive on the streets of New York City quite rightly won 3 Oscars including Best Picture.  Totally unmissable.



3) Drugstore Cowboy : 1989. This stunner from Gus Van Sant (‘My Private Idaho’) is one of the very best films in the long tradition of American outlaw road movies. Starring a very young Matt Dillon who gave a chillingly perfect performance as the leader of the pack.  A real treat.




        

4)   Urban Cowboy : 1980. Back in the days when we still loved John Travolta for being a great actor he starred as a young man from the country who learns about life and love in a Houston bar.  Well worth watching too because it was also Debra Winger’s breakthrough role.




5) Cocaine Cowboys : 2006. In the early '80s, a new business emerged in Miami, Florida that changed the face of the city forever. That business was cocaine smuggling.  This is one of the scariest true stories we have ever seen, and it would have stopped any of us ever wanting to leave the airport in those bad old dangerous days if we had only known.




6) Blazing Saddles :1974 To dedicated cinephiles this masterpiece from comic genius Mel Brooks is every bit as good as his more well known ‘The Producers’.  To ruin a western town, a corrupt political boss appoints a black sheriff, who promptly becomes his most formidable adversary in this most ridiculous and hysterical laugh fest. Just as funny as it was originally over 40 years ago.




7) Carry On Cowboy : 1965. So its confession time.  We LOVE all the classic quintessential British very low brow comedy of ‘Carry On’ Films that starred camp Kenneth Williams and all his mates.  This one, which had the byline ‘how the west was lost’, is an hilarious romp through the bars and bedrooms of the Wild West! Sid James is on top form as the Rumpo Kid, an outlaw who shakes up the sleepy residents of Stodge City.





8) Django Unchained : 2012. By rights this exhilarating and appalling bloodbath by Quentin Tarantino which is downright so entertaining, deserves to be higher in our top ten: it is simply that brilliant. With the help of a German bounty hunter (played by Christoph Waltz who won a Oscar for this) a freed slave sets out to rescue his wife from a brutal Mississippi plantation owner. Overly long, but well worth it for a change



9) Cowboys and Aliens : 2011 Funnyman Jon Favreau takes a western story and throws in an alien invasion and the result is blissfully hilarious. Starring hottie Daniel Craig always good to goggle at especially when he dons a pair of chaps (phew!), and Harrison Ford, Sam Rockwell and Paul Dano




10) Queens and Cowboys: A Straight Year on the Gay Rodeo : 2015. Chronicles a complete season of the International Gay Rodeo Association. Roping and riding across North America, the IGRA's courageous cowboys and cowgirls (who get to live out all our fantasies) brave challenges in and out of the arena on their quest to the World Finals.  A sheer joy.




P.S. In 2005 when 'Brokeback Mountain' was the most talked about movie of the year, comedian and satirist Jon Stewart was hosting the Oscar Ceremony and he presented this hilarious montage to show how heterosexual the old westerns really were (not)!